I May Bury Things in Sand and Snow: Sara Frantz

September 10 - October 8, 2022
Works
  • Sara Frantz, King of Hairy Hill, 2022
    Sara Frantz, King of Hairy Hill, 2022
  • Sara Frantz, Park for Catching Dreams, 2022
    Sara Frantz, Park for Catching Dreams, 2022
  • Sara Frantz, The Waiting Place, 2021
    Sara Frantz, The Waiting Place, 2021
  • Sara Frantz, Three Different Views of Two Different Playgrounds, 2022
    Sara Frantz, Three Different Views of Two Different Playgrounds, 2022
  • Sara Frantz, Winter 2021, 2022
    Sara Frantz, Winter 2021, 2022
Overview

Pamela Walsh Gallery is pleased to present I May Bury Things in Sand and Snow, a solo exhibition of new paintings by Sara Frantz. The exhibition will open on Saturday, September 10th and will be on view in the gallery until October 8th.

 

I May Bury Things in Sand and Snow is the debut exhibition of Sara Frantz’s work in the gallery and a dynamic expression of her visual language. Emerging from the long days of the pandemic shelter-in-place, Sara’s latest paintings depict a “new American landscape.” They are a complex interplay between the traditional ode to nature and a contemporary narrative of pop culture, politics and the presence of technology in our everyday lives. “My paintings are a wink that hint at undercurrents of dialogue just below the surface. They are built upon transitory surfaces of sand and snow; things are buried underneath that cannot be seen,” she says. Her compositions of academically painted trees, skies and sea are sprinkled with clues that inform us of deeper meanings. The topography is loaded with messages about the way our lives have shifted with the inundation of technology, digital images and social media. “The work considers how technology simultaneously extends and amputates people’s senses.” Sara’s artistic practice goes back-and-forth between analog and digital applications, overlaying images in photoshop before digitizing painterly surfaces with her brush. “It is normal now to see digital images of nature. The American landscape is littered with evidence of pop culture and political commentary. My work is an amalgamation of all of these forces which have become part of our collective fabric.”